Trans/Intersex Manga: A brief Introduction of the subgenre
Since another contributor introduced trans webcomics, I thought it’d only do justice if the classic dead-tree format received some attention as well! Knowing that no such original publications exist in English, the discussion then falls toward the Mecca of 2-dimensional media, Japan.
Despite the ‘long’ history of modern anime and manga, the idea of messing around with gender has not been discussed much in works except as comic relief. As early as in the 80’s works such as Doraemon have explored the idea through magical machinery and technological remaking of the physical body. Even to this day, there are works that give the writers’ interpretation of body, spirit, and gender via tales of ’switching brains’ with outlandish events, machinery, and magical interference. Examples of such translated into English include Pretty Face and Gacha Gacha (available in English via Del Ray Comics, not to be confused with the comic of similar name by Tokyopop). It is important to note that these early works mostly portray the instances of trans*ness with much slapstick humour, mostly on the quirks of not adapting to (Japanese) gender conformities. It does not give much serious discussion on the social stigma of LGBT issues.
The most obvious of which is a series named Kasimasi ~Girl meets Girl~ (Serialized 2004-07) where the (originally biologically) male protagonist (with obvious female tendencies and behaviour) is transformed by extraterrestrial technology into a girl (the story notes that the UFO crashed, killing him by mistake, and a new genetically female body was created), and the story discusses on the love-triangle between her childhood friend and a crush with a terrible case of misandry. The key point is in the lack/avoidance of discussing the protagonist in reintegrating into society as a female, by skimming over it with a plot device of “remade into a genetically female”. As for the lesbian romantic relationship/conflicts that consists of the body of this work is not in the scope of this article.
There are, however, less well known works that deal with gender displacements, oddities and obvious trans issues. In fact, there are dedicated mangaka who have given deep thought and research into the subject and portray the issue in a serious yet readable light. Below are four recommendations of must-reads for the curious manga reader (although it is suggested that you know Japanese or another Asian language – most of the time not even fan scanlations are available):
Shoujo Shounen (Vol.1-7, with 1 extra), by Yabuuchi Yuu (Vol.1 Available via http://akatsuki.chupatz.com/)
This series revolves around a common theme of boys in talent agencies, publicized as female idols, and a coworking talent befriends/becomes entangled in a relationship by exposing him. However, as we explore further, we find that each of these boys have a feminine side yearning to come out, but also conflicting with a male reality and role…
Yabuuchi Yuu is an author who established her name in writing works for younger (usually female) readers on the topic of puberty and sexuality. Other works include “Tsubomi’s Secret (Naisho no Tsubomi, also available by same scanlator)”.
IS ~Otoko demo Onna demo nai sei~(Vol.1-13, ongoing), by Rokuhana Chiyo (Scanlations available by JanimeS to Vol.8, cover art not hotlinked)
This series is a serious exploration via a separate anecdote per volume (roughly) about intersexed people living in a Japanese society, and face challenges in every aspect of life you can think of – work, love, life…and their troubles on the inability to reproduce.
Ritchan (1 volume), by Mari Yoshino (No scanlations known, available in JP/ZH-TW)
A romantic comedy by classical definition! We are introduced to the main protagonists in the world of nightclubs, when much to the surprise of the (female) lead, her coworker (as nicknamed as book title, actual name is Ririka) is a (pre-op) trans-woman! She was immediately fired after the hostess club finds out, but continues to date and try to get a boyfriend (although to futile ends). By circumstance relationships between the two grew close, and had one instance of sexual intercourse…which led to an unexpected turn and leads to Ritchan giving up the idea of receiving an SRS and marrying the lead. However, she continues to present herself as female even after marriage, and the ‘epilogue’ depicts their daughter writing about how happy she is to ‘be with two mothers’. A bit on the idealistic side? Perhaps, but a truthful depiction of pre-op transpeople in a modern East Asian context.
Hourou Musuko (JP Vol.1-8 ongoing, TW Vol.1-4), by Shimura Takako. Scanlations in English available by Kotonoha Fansubs
Translated into English as “The Transient Son”, this manga is a MUST-recommend for the subject of exploring the uncertainties of trans-ness in the mundane aspects of life and growing up. The story begins with two protagonists, both in Gr.5: Nitori Syuuichi (Cute boy who wishes to become female), and Takatsuki Yosino (Cool girl who wishes to become male). While each event unfolding may seem casual or even slow, the degree of portrayal to the perceptions of a-day-in-life of a MtF/FtM transperson is very real – they are shown as people, with concerns with school, friends, life, and love, just like anyone else. Just that they have one more trouble compared to most others, and occasionally this trouble breaks out of repression, demanding the world around the two to perceive them in a different way…a must read. If you don’t have time to read anything else, try this, FIRST.
Further Reading: http://pitcher.wordpress.com/2008/11/17/trans-charas-in-acg/
on October 3, 2008 on 8:09 am
Hey there, great post!
I kind of surprised that Ranma 1/2 wasn’t mentioned since it’s one of the more well-known ones.
Now, I’m no expert on manga and don’t really read much of it myself, but I’m really surprised on how much trans-related mangas revolve more around circumstances that can’t be helped (genie turning a boy into a girl, girl dressing as a boy to make a boy’s team etc.) The few genuine ones I did find are pretty tragic. One in particular called “Claudine…!” which starts out promising (“girl who grows up believing that she is really a boy and will return to being a boy in the future) but then leads to him killing himself. My jaw dropped when I read that.
I simply don’t get it. I mean…why not make some damn good manga featuring a protagonist who knows who they are, is trans, and deals with regular problems/events that come their way? It can’t JUST be about the transphobia going on in Japan. I’m suspecting the “fish out of water” concept is pretty popular…afterall, an mtf trans person figuring out female stuff is okay, but a guy who never wanted to be a girl becomes one and is learning about feminine stuff? That’s apparently funny.
Do you know if there are any positive trans supporting characters out there?
Also, and I hate to bring this up but I’m a nitpicky gal…in the blurb about “Ritchan Volume 1″ did you mean to type (S)he? ‘Cause that’s pretty….not good…
Take care,
Lenore
on October 3, 2008 on 2:08 pm
[...] an interesting introduction to gender-bender manga up at The Pitcher. (Via When Fangirls [...]
on October 3, 2008 on 2:51 pm
Lelenore:
My mind slipped there about the Ritchan section, because when I was reading it again for writing this, Ririka really did admit to her masculine side rather openly, and has shown that during the situations of great social pressure (foiled at the club, protagonist gets pregnant etc.) she admitted that she’d rather “be another Okama in the next life, rather than stick to one gender”. I’ll get that fixed.
Also, I didn’t write Ranma much because of the use of gender-bending as slapstick, although you are right in mentioning this as one of the EARLIEST FOUNDATIONS of the genre. My bad. There are simply SO MUCH out there that even manga of this genre can fill 36 pages in bibliography. I can’t possibly cite them all.
And don’t get me started on Japanese computer games of this genre. While always a small niche, there’s been a recent flareup of genderbending themes in the 18x computer game world in Japan in the past 2 1/2 years…
on October 3, 2008 on 7:18 pm
Hey Satsuki,
Oh! Sorry about that then. I was totally unaware of that manga until I read about it so I don’t really know the story.
Also, I wasn’t asking if you could list them all on this, but if there is an online resource to look through. I also really wouldn’t mind knowing if there’s a positive representation of a trans person who is merely a supporting character in a manga where the trans storyline isn’t the main one? I’m trying to find some, but my lack of knowledge on the subject of manga is getting in the way of actual results.
on October 3, 2008 on 11:48 pm
IS ~Otoko demo Onna demo nai sei~ image doesn’t work.
on October 3, 2008 on 11:59 pm
[...] the article at The Pitcher As early as in the 80’s works such as Doraemon have explored the idea through magical machinery [...]
on October 4, 2008 on 3:21 am
Jura;
Yeah, I know. There are a few revisions I want to make, as well as supplemental stuff too, but since I am only a contributor here I can’t edit stuff like I do on my Torguqin blog >.<”
Maybe next time I’ll write something on trans CHARACTERS in the ACG (Anime, Comic, Game) field, instead of just manga alone.
on October 4, 2008 on 3:52 am
IS/Aiesu was scanlated up to volume 8 by JanimeS, in case you want to add the link:
http://www.mangaupdates.com/series.html?id=3344
on October 6, 2008 on 1:24 am
awesome!! a couple more additions: after school nightmare (really amazing artwork) and day of revolution
on October 7, 2008 on 6:34 am
In answer to lelenorelee’s question, there’s an mtf supporting character named Seiko introduced in volume 3 of the teen romance/comedy manga “Love*Com” (Viz) who has been portrayed fairly positively so far in the volumes I’ve read featuring her. “Love*Com” is about an unusually tall junior high school girl and her unusually short male classmate whose comical bickering and dramatic difference in height lead their fellow students and even their teachers to laughingly label them “All Hanshin-Kyojin” (spelling possibly inaccurate), after a well-known stand-up comedy duo consisting of a tall guy and a short guy. The “All Hanshin-Kyojin” kids’ antics are so notorious that everyone automatically thinks of them as a pair, with most people tending to assume that they’re actually a very quarrelsome romantic couple like Shakespeare’s Beatrice and Benedick. Both of them deny this in horror at first, but after a few failed attempts to date other people of more “appropriate” heights, the tall girl realizes that she actually likes the short guy enough that it might be worth going out with him despite the inevitable ensuing jokes from others about how ridiculous they look together, etc. Unfortunately, just as this dawns on her, new student Seiko, whom everyone assumes is actually the cute, petite girl she appears to be, develops a huge crush on the short boy and starts flirting with him at every opportunity. The boy is flattered by Seiko’s starry-eyed compliments on his basketball skills, etc., and seems well on the way to reciprocating her romantic interest when Seiko overplays her hand by taking off her blouse in an attempt to seduce the boy in the school nurse’s office, where he has taken her after she fainted. Meanwhile, one of the tall girl’s friends has realized that Seiko is the same former classmate of her little brother whose unexpectedly male gender was revealed in elementary school a year or two before. Everyone’s reactions to this revelation are somewhat homophobic at first, especially the short boy’s. But instead of ostracizing or making fun of Seiko, they get over it and, after a bit of initial awkwardness, continue socializing with her more or less as they did before, except that the short boy no longer encourages her romantic overtures. The character seems to be included less to make a serious statement about trans people in their own right than for ironic commentary on feminine stereotypes and the alleged importance in Japanese society of gender-appropriate appearance and behavior. (I.e., Seiko is much better at fulfilling the standard “cute girl” societal stereotypes than the smart-mouthed “too tall” “jumbo gal” whom the short boy constantly bickers with, but the biological falseness of her cute-girl facade exposes the problematical arbitrariness of these standards.) But, although she is occasionally played somewhat for comic relief, Seiko is portrayed fairly respectfully over all, at least for the next couple of volumes. (The tall girl actually admires Seiko’s bravery and persistence in continuing to try to win over the short boy even after the discovery of her biological gender causes his budding romantic interest in her to cool to slightly skittish friendliness.) Of course, I have no idea what, if any, relation this has to what might happen if such a situation arose in a real-life Japanese junior high school….
on October 7, 2008 on 6:42 am
Oh, I forgot to mention above that “Love*Com” is available in English from Viz. (I think it’s actually one of their Shojo Beat titles spun off from their “Shojo Beat” anthology magazine of translated shojo (girls’) comics.) I believe it’s now up to volume 7, although I haven’t read that far in the series myself yet.
on October 7, 2008 on 5:57 pm
Thanks Marifisa;
This article tries to focus on Trans themes as the central plot, rather than works that give mentions of it. Otherwise, it’d overwhelm everyone with an immense reading list.
But one thing is certain: the Japanese creative world is becoming more and more attentive to this group, and write about them in an increasingy positive light, to which is received by an increasingly (albeit slowly) positive audience. I can only hope that such works can be more easily adopted by the culture here (after all, most people who read manga tend to be open-minded urban socialites).
on October 10, 2008 on 5:15 pm
There’s also Family Compo by Tsukasa Hojo which is an extremely well-done slice of life manga. The main character isn’t trans, but the aunt and uncle he goes to live with are, and his cousin deals with trans/bi-gender issues. I have some quibbles, but compared to most trans representation, Hojo handled trans, gender, and sexuality issues extremely well. And even though the main character is a cisgendered man, he confronts these issues too which is refreshing stance from making gender issues only a “trans thing”.
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on November 17, 2008 on 6:44 pm
[...] SATSUKI Shizuka. Trans/Intersex Manga: A brief introduction http://pitcher.wordpress.com/2008/10/02/transintersex-manga/ [...]
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